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In Lagercrantz’s hands, the series is realizing grand ambitions of another sort. The Girl Who Takes an Eye for An Eye intensifies the mythic elements of Larsson’s vision […]moves the series further into the realms of Star Wars and Harry Potter”

— The Washington Post
“Elegantly paced, slickly executed, and properly thrilling”

— Observer
“Lagercrantz is one of the best in the genre […] keeps building on the foundation laid by Stieg Larsson, with excellent result”
— Svenska Dagbladet
“Rest easy, Lisbeth Salander fans – our punk hacker heroine is in good hands.”
— USA Today (4 out of 4 stars)
“Lisbeth Salander remains, in Lagercrantz’s hands, the most enigmatic and fascinating anti-heroine in fiction.”
— The Financial Times
“Salander and Blomkvist have survived the authorship transition intact and are just as compelling as ever.”
— The New York Times
“Anyone craving more Salander bad-assery should get their hands on a copy of Spider’s Web faster than Lisbeth can hack into the NSA.”
— People Magazine
“Larsson characters has never been better than they are now in David Lagercrantz’s book.”
— Der Spiegel
“Lagercrantz’s continuation, while never formulaic, is a cleaner and tighter read than the originals.”
— The Guardian
“Lagercrantz has more than met the challenge. Larsson’s brainchildren are in good hands and may have even come up a bit in the world.”
— Wall Street Journal
“Lagercrantz has written an excellent crime novel. The girl in the spider´s web is a very elegant constructed and an intellectual game.”
— Stern
“He (Lagercrantz) has carried it out with intelligence and vigour.”
— The Times
 

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